Staff Recommended Reads

Journalist Rika Machida is facing an unusual assignment: she is tapped to investigate serial killer Manako Kajii, notorious for drawing rich men in with her pricey cooking classes, only to murder them and move on to the next. Kajii refuses to cooperate with the press until Rika writes her a letter asking for her beef stew recipe, a correspondence and ongoing series of conversations between the two women that sees Rika transforming as she becomes closer to Kajii, taking on some of her confidence and strength but also some of her deadly intention. Game on. Set in 2011, when dairy product shortages across Japan made butter a hot commodity, Butter depicts a vivid, panoramic view of contemporary Japan as seen through a diverse cast of Japanese women. An endlessly entertaining and sharply insightful look at the relationships between women and how they engage and challenge one another, revealing the many contradictions and complexities in the process, Asako Yuzuki's novel is filled with intoxicating descriptions of food and the body that also looks deeply at its connection to the sinister, criminal, and taboo, its enduring power and delight.

Nothing's been the same for Beth Teller since she died. Her dad, a detective, is the only one who can see and hear her - and he's drowning in grief. But now they have a mystery to solve together. Who is Isobel Catching, and what's her connection to the fire that killed a man? What happened to the people who haven't been seen since the fire? As Beth unravels the mystery, she finds a shocking story lurking beneath the surface of a small town, and a friendship that lasts beyond one life and into another. Told in two unforgettable voices, this gripping novel interweaves themes of grief, colonial history, violence, love and family.'Catching Teller Crow is an up-to-the-minute tale that goes straight to the heart of Australia's darkest history. Through poetry and story, with great sensitivity, the Kwaymullinas pick up and deal with subjects most authors in this country find too hot to touch. Terrible crimes lie at the centre here; viewed through the eyes of young women of unquenchable spirit, they can be approached, examined, and ultimately solved. This novel will turn gazes in the right direction, and make the caw of every crow more resonant.' MARGO LANAGAN'A ghost story as well as a psychological thriller, Catching Teller Crow seamlessly weaves together the poetic and the everyday. A magnificent and life-giving novel.' JUSTINE LARBALESTIER'A touching and original story about a dad who is learning how to grieve and a girl learning how to be dead. Together they work to solve the crimes denting holes in a small town. A richly informed new novel by a deadly duo.' ELLEN VAN NEERVEN 'Distinctly Australian...A highly anticipated novel, Catching Teller Crow can be compared to Alice Sebold's The Lovely Bones and E Lockhart's We Were Liars. This book will have a broad readership.' Karen Wyld, Books + Publishing, 5 STARS

His life is going to pot. He has – horrors! – been promoted, his new boss is a dunce, and a sinister self-proclaimed gypsy and his girlfriend have parked their rusty eyesore of a van in the middle of the village. Hamish smells trouble and as usual he’s right. The doctor’s drugs have gone missing. Money vanishes. And neighbours suddenly become unneighbourly. Nobody wants to talk, either, so canny Hamish faces the delicate task of worming the facts out of the villagers. In the process he uncovers a story so bizarre that neither he nor the locals may ever be able to forget it ...

Prussia, 1836Hanne Nussbaum is a child of nature - she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity...until she meets Thea.Ocean, 1838The Nussbaums are Old Lutherans, bound by God's law and at odds with their King's order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne's heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break. The whale passed. The music faded.South Australia, 1838A new start in an old land. God, society and nature itself decree Hanne and Thea cannot be together. But within the impossible...is devotion. This long-awaited novel demonstrates Hannah Kent's sublime ability with language that creates an immersive, transformative experience for the reader. Devotion is a book to savour.

In 1901, the word bondmaid was discovered missing from the Oxford English Dictionary. This is the story of the girl who stole it.Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary.Esme’s place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word bondmaid flutter to the floor unclaimed. Esme seizes the word and hides it in an old wooden trunk that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. She begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape our experience of the world.

Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. She's living her best life! Or is she? The debris of years of dysphoria and failed relationships rattle around in her head. When she tumbles down the stairs at a New Year's Eve party and wakes up in hospital alone, she decides to make some changes. First things first- a stab at good old-fashioned heteronormativity. Enter Vincent, corporate lawyer and hobby baker. His trad friendship group may as well speak a different language to Max, and his Chinese parents never pictured their son dating a trans woman. It's uncertain terrain, but Vincent cares for Max in a way she'd long given up on as a foolish fantasy. Yet Vincent is carrying his own baggage. On his gap year in Thailand a decade prior, he vies for the attention of a gorgeous traveller, Alex, with secrets of her own. Is Vincent really the new face of the Enlightened Man, or will the ghosts of his past sabotage his and Max's happiness?

NOW A MAJOR MOTION PICTURE STARRING KATE WINSLET AND LIAM HEMSWORTHTilly Dunnage has come home to care for her mad old mother. She left the small Victorian town of Dungatar years before, and became an accomplished couturier in Paris. Now she earns her living making exquisite frocks for the people who drove her away when she was ten. Through the long Dungatar nights, she sits at her sewing machine, planning revenge.The Dressmaker is a modern Australian classic, much loved for its bittersweet humour. Set in the 1950s, its subjects include haute couture, love and hate, and a cast of engagingly eccentric characters. The major motion picture also stars Judy Davis, Hugo Weaving, and extras from the author's hometown of Jerilderie.PRAISE FOR THE DRESSMAKER"[Rosalie Ham] is a true original. Blessed with an astringently unsentimental tone and a talent for creating memorably eccentric characters, Ham also possesses a confidently brisk and mischievous sense of plot. It's no wonder The Dressmaker, a tale of small-town couture and revenge, is being adapted for film." The Sydney Morning Herald"It's clear we're visiting a small 1950s town not of history but as imagined by Tim Burton: the gothic, polarized world of Edward Scissorhands... Ham has real gifts as a writer of surfaces and pictures, bringing Tilly's frocks to surprising, animated life." The New York Times Book Review"Ham's eye for the absurd, the comical, and the poignant are highly tuned. [The Dressmaker] is a first novel to be proud of, and definitely one to savor." The Weekend Australian"The book's true pleasures involve the way Rosalie Ham has small-town living down pat...she channels welcome shades of British novelist Angela Carter's sly, funny, and wickedly Gothic adornments...Blunt, raw and more than a little fantastical, the novel exposes both the dark and the shimmering lights in our human hearts." The Boston Globe"With the retribution of Carrie, the quirkiness of Edward Scissorhands, and the scandal of Desperate Housewives..." Booklist

'A memoir to stand alongside classics by the likes of Jeanette Winterson and Lorna Sage … a compelling and ultimately joyous account of self-determination’ Sunday TimesTara Westover grew up preparing for the End of Days, watching for the sun to darken, for the moon to drip as if with blood. She spent her summers bottling peaches and her winters rotating emergency supplies, hoping that when the World of Men failed, her family would continue on, unaffected. She hadn’t been registered for a birth certificate. She had no school records because she’d never set foot in a classroom, and no medical records because her father didn’t believe in doctors or hospitals. According to the state and federal government, she didn’t exist. As she grew older, her father became more radical, and her brother, more violent. At sixteen Tara decided to educate herself. Her struggle for knowledge would take her far from her Idaho mountains, over oceans and across continents, to Harvard and to Cambridge. Only then would she wonder if she’d travelled too far. If there was still a way home. EDUCATED is an account of the struggle for self-invention. It is a tale of fierce family loyalty, and of the grief that comes with the severing of the closest of ties. With the acute insight that distinguishes all great writers, from her singular experience Westover has crafted a universal coming-of-age story that gets to the heart of what an education is and what it offers: the perspective to see one's life through new eyes, and the will to change it.

Eleanor Oliphant has learned how to survive - but not how to live Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend. Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything. One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted - while searching for the courage to face the dark corners she's avoided all her life. Change can be good. Change can be bad. But surely any change is better than... fine?

Yumiko Kadota was every Asian parent's dream- model student, top of her class in medical school and on track to becoming a surgeon. A self-confessed workaholic, she regularly put 'knife before life', knowing it was all going to be worth it because it would lead to her longed-for career. But if the punishing hours in surgery weren't hard enough, she also faced challenges as a young female surgeon navigating a male-dominated specialty. She was regularly left to carry out complex procedures without senior surgeons' oversight; she was called all sorts of things, from 'emotional' to 'too confident'; and she was expected to work a relentless on-call roster - sometimes seventy hours a week or more - to prove herself. Eventually it was too much and Yumiko quit. Emotional Female is her account of what it was like to train in the Australian public hospital system, and what made her walk away. Yumiko Kadota is a voice for her generation when it comes to burnout and finding the resilience to rebuild after suffering a physical, emotional and existential breakdown. This is a brave, honest and unflinching work from a major new talent.