Award Winners

In The Settlement, Jock Serong reimagines in urgent, compelling prose the ill-fated exploits of George Augustus Robinson at the settlement of Wybalenna—a venture whose blinkered, self-interested cruelty might stand for the colonial enterprise itself. On the windswept point of an island at the edge of van Diemen's Land, the Commandant huddles with a small force of white men and women. He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them—from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country. The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the Commandant's will. The wind, the spread of disease, the strange black dog that floats in on the prow of a wrecked ship... But above all the Chief, the leader of the exiles, before whom the Commandant performs a perverse, intimate dance of violence and betrayal. 'An extraordinarily vivid imagining of one of the most significant encounters in Australian history.' AMANDA LOHREY 'Grips from the first page. It's unsentimental, truthful and profound – all in a milieu effortlessly imagined.' DON WATSON

Colombo, 1990. Maali Almeida, war photographer, gambler and closet queen, has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the Beira Lake and he has no idea who killed him. At a time when scores are settled by death squads, suicide bombers and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts who cluster around him can attest.But even in the afterlife, time is running out for Maali. He has seven moons to try and contact the man and woman he loves most and lead them to a hidden cache of photos that will rock Sri Lanka. .Ten years after his prizewinning novel Chinaman established him as one of Sri Lanka’s foremost authors, Shehan Karunatilaka is back.The Seven Moons of Maali Almeida is a scathing, rip- roaring epic. It proves that the best fiction can offer the deeper truth.

A powerfully alive novel haunted by ghosts; a road trip where people can go but they can never leave; a visceral and intimate drama that plays out like a grand epic, Sing, Unburied, Sing is staggering' Marlon James, Winner of the Man Booker Prize 2015Jojo is thirteen years old and trying to understand what it means to be a man. His mother, Leonie, is in constant conflict with herself and those around her. She is black and her children's father is white. Embattled in ways that reflect the brutal reality of her circumstances, she wants to be a better mother, but can't put her children above her own needs, especially her drug use. When the children's father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward's distinctive, lyrical language, Sing, Unburied, Sing brings the archetypal road novel into rural twenty-first century America. It is a majestic new work from an extraordinary and singular author.

It's 1967, the summer of love, and in swinging Melbourne Detective Sergeant Charlie Berlin has been hauled out of exile in the Fraud Squad to investigate the disappearance of a teenage girl, the daughter of a powerful and politically connected property developer. As Berlin's inquiries uncover more missing girls he gets an uneasy feeling he may be dealing with the city's first serial killer.Berlin's investigation leads him through inner-city discothèques, hip photographic studios, the emerging drug culture and into the seedy back streets of St Kilda. The investigation also brings up ghosts of Berlin's past as a bomber pilot and POW in Europe and disturbing memories of the casual murder of a young woman he witnessed on a snow-covered road in Poland in the war's dying days. As in war, some victories come at a terrible cost and Berlin will have to face an awful truth and endure an unimaginable loss before his investigation is over.St Kilda Blues is Geoffrey McGeachin's seventh book and third in the Charlie Berlin series. The first Berlin novel, The Diggers Rest Hotel, won the 2011 Australian Crime Writers Association's Ned Kelly Award for Best Fiction with the follow up book, Blackwattle Creek, also winning the Ned Kelly Award for Best Fiction in 2013.

Adam's life has been ruined by war... A veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton. Marianna's has been ruined by men... A woman who has had to flee the country after her husband lied to the wrong people. John Philip's by too much money... Until he receives a surprise inheritance in the evening of his own life.

An ambitious, remarkable and moving novel about who we are: our past, present and future, and our connection to this land. In 1796, a young cabin boy, Will Martin, goes on a voyage of discovery in the Tom Thumb with Matthew Flinders and Mr Bass: two men and a boy in a tiny boat on an exploratory journey south from Sydney Cove to the Illawarra, full of hope and dreams, daring and fearfulness. Set on the banks of Lake Illawarra and spanning four centuries, Storyland is a unique and compelling novel of people and place - which tells in essence the story of Australia. Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property. Compelling, thrilling and ambitious, Storyland is our story, the story of Australia.

But the girl is very much alive. She is Kitty Finch: a self-proclaimed botanist with green-painted fingernails, walking naked out of the water and into the heart of their holiday. Why is she there? What does she want from them all? And why does Joe’s wife allow her to remain? Swimming Home is a subversive page-turner, a merciless gaze at the insidious harm that depression can have on apparently stable, well-turned-out people. Set in a summer villa, the story is tautly structured, taking place over a single week in which a group of beautiful, flawed tourists in the French Riviera come loose at the seams. Deborah Levy’s writing combines linguistic virtuosity, technical brilliance and a strong sense of what it means to be alive. Swimming Home represents a new direction for a major writer. In this book, the wildness and the danger are all the more powerful for resting just beneath the surface. With its biting humour and immediate appeal, it wears its darkness lightly. Swimming Home was also shortlisted for the New York Times Notable Book of 2012 and the Jewish Quarterly-Wingate Prize 2013. Shortlisted for the Man Booker Prize 2012 and National Book Awards Author of the Year 2012

From Kim Scott, two-times winner of the Miles Franklin Literary Award, comes a work charged with ambition and poetry, in equal parts brutal, mysterious and idealistic, about a young woman cast into a drama that has been playing for over two hundred years ...Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white man who had stolen a black woman. They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations.But the sins of the past will not be so easily expunged. We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. This is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair.

BOOK OF THE YEAR: Daily Telegraph, Evening Standard, Stylist, Sunday Times, Financial Times, Guardian, The Times, Observer, RedMargaret Atwood’s dystopian masterpiece, The Handmaid’s Tale, is a modern classic. Now she brings the iconic story to a dramatic conclusion in this riveting sequel.More than fifteen years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes. ‘Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we’ve been living in.' Margaret Atwood