Award Winners

Long-listed for the Man Booker Prize 2012 After an encounter with an inexplicably hostile barman at a family-run hotel in Hellhaus, Futh sets out on his week-long circular walk along the Rhine. As he travels, he contemplates his childhood, a complicated friendship with the son of a lonely neighbour, his parents’ broken marriage and his own. But the story he keeps coming back to, the one that affects all others, is his mother abandoning him as a boy. Recalling his first trip to Germany with his newly single father, Futh is mindful of something he neglected to do there; an omission which threatens to have devastating repercussions for him this time around. At the end of the week, sunburnt and blistered, Futh comes to the end of his pilgrimage, returning to what he sees as the sanctuary of the Hellhaus hotel; however, he is blissfully unaware of the events that have been unfolding there in his absence.

Finalist for the Man Booker International Prize 2015Alain Mabanckou left Congo in 1989, at the age of twenty-two, not to return until a quarter of a century later. When at last he returns home to Pointe-Noire, a bustling port town on Congo's south-eastern coast, he finds a country that in some ways has changed beyond recognition: the cinema where, as a child, Mabanckou gorged on glamorous American culture has become a Pentecostal temple, and his secondary school has been re-named in honour of a previously despised colonial ruler.But many things remain unchanged, not least the swirling mythology of Congolese culture which still informs everyday life in Pointe-Noire. Mabanckou though, now a decorated French-Congolese writer and esteemed professor at UCLA, finds he can only look on as an outsider at the place where he grew up. As Mabanckou delves into his childhood, into the life of his departed mother and into the strange mix of belonging and absence that informs his return to Congo, he slowly builds a stirring exploration of the way home never leaves us, however long ago we left home.

In the heat of a long summer Ned hunts rabbits in a river valley, hoping the pelts will earn him enough money to buy a small boat. His two brothers are away at war, their whereabouts unknown. His father and older sister struggle to hold things together on the family orchard, Limberlost. Desperate to ignore it all—to avoid the future rushing towards him—Ned dreams of open water. As his story unfolds over the following decades, we see how Ned's choices that summer come to shape the course of his life, the fate of his family and the future of the valley, with its seasons of death and rebirth. The third novel by the award-winning author of Flames and The Rain Heron, Limberlost is an extraordinary chronicle of life and land: of carnage and kindness, blood ties and love. Robbie Arnott's acclaimed debut, Flames (2018), won a Sydney Morning Herald Best Young Novelist award and a Tasmanian Premier's Literary Prize, and was shortlisted for a Victorian Premier's Literary Award, a New South Wales Premier's Literary Award, a Queensland Literary Award, the Readings Prize for New Australian Fiction and the Not the Booker Prize. His follow-up, The Rain Heron (2020), won the Age Book of the Year award, and was shortlisted for the Miles Franklin Literary Award, the ALS Gold Medal, the Voss Literary Prize and an Adelaide Festival Award. He lives in Hobart. 'Robbie Arnott is the sort of young writer we all hoped would emerge in Australia, a Conrad-like storyteller whose tales always tremble on the edge of the mythic and legendary. And as well as being a splendid narrator of tales, he has a quality too easily overlooked now. He writes beautifully! May his readers and his rewards abound!' Thomas Keneally 'Ned—with his shame and pride—blazes his way into your heart. A tender, soaring novel from one of Australia's finest writers.' Sisonke Msimang 'Limberlost is an immersive experience, a story that is deeply embedded in the language of its environment, drawing much of its power from the places that surround and inform its characters...Though scaled right down to a single, humble life, Limberlost is lit up by the energy of that life's relationships. It serves as a reminder of the complicated position humans occupy, tangled as we are in the webs of interdependence, of pain and responsibility and care, that bind us to a world much greater than ourselves.' Australian Book Review 'In Limberlost magic lies in lyrical language and the powerfully real characters brought to life through it...This is a novel about the deepest of emotions, about love, the fear of loss, and about joy.' Age 'It's immersive, it's emotional...A beautiful book...Glorious.' Guardian

In his long-awaited first novel, American master George Saunders delivers his most original, transcendent and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other, for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realise it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved 11-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. 'My poor boy, he was too good for this earth', the president says at the time. God has called him home. Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy's body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic historical framework into a thrilling supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel and enact bizarre acts of penance. Within this transitional state called, in the Tibetan tradition, the bardo, a monumental struggle erupts over young Willie's soul.The 166-person full cast features award-winning actors and musicians, as well as a number of Saunders' family, friends and members of his publishing team, including, in order of their appearance:Nick Offerman as HANS VOLLMAN David Sedaris as ROGER BEVINS III Carrie Brownstein as ISABELLE PERKINS George Saunders as THE REVEREND EVERLY THOMAS Miranda July as MRS. ELIZABETH CRAWFORD Lena Dunham as ELISE TRAYNOR Ben Stiller as JACK MANDERS Julianne Moore as JANE ELLIS Susan Sarandon as MRS. ABIGAIL BLASS Bradley Whitford as LT. CECIL STONE Bill Hader as EDDIE BARON Megan Mullally as BETSY BARON Rainn Wilson as PERCIVAL "DASH" COLLIER Jeff Tweedy as CAPTAIN WILLIAM PRINCE Kat Dennings as MISS TAMARA DOOLITTLE Jeffrey Tambor as PROFESSOR EDMUND BLOOMER Mike O'Brien as LAWRENCE T. DECROIX Keegan-Michael Key as ELSON FARWELL Don Cheadle as THOMAS HAVENS and Patrick Wilson as STANLEY "PERFESSER" LIPPERT with Kirby Heyborne as WILLIE LINCOLN, Mary Karr as MRS. ROSE MILLAND, and Cassandra Campbell as Your Narrator.

When a young Vietnamese girl goes missing in Scotland, DI Birch knows there is more to the case than meets the eye. Her colleagues won't take it seriously - but Helen's instinct tells her that Linh is in mortal danger. .

The best lies are the ones closest to the truth. Simon and Vicky couldn't seem more normal: a wealthy Chicago couple with a stable, if unexciting, marriage. But with these two...absolutely nothing is what it seems. When a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky's complex web of secrets begins to unravel. A whirlwind affair. A twenty-million-dollar trust fund about to come due. A decades-long grudge and an obsession with revenge. These are just a few of their lies with devastating consequences. Both Vicky and Simon are liars - but just who exactly is conning who? Prepare to question everything you think you know in this wickedly clever novel of greed, revenge, obsession - and quite possible the perfect murder.

Long-listed, Miles Franklin Literary Award, 2015, Australia.Sylvie is five. It's the 1950s and she lives in Burley Point, a fishing village south of the Coorong on Australia's wild southern coast. She worships her older brother Dunc. She tries to make sense of her brooding mother, and her moody father who abandons the family to visit The Trollop, Layle Lewis, who lives across the lagoon.It's hard to keep secrets in a small town, but when Dunc goes missing, Sylvie is terrified that she is the cause. Now her father is angry all the time; her mother won't leave the house or stop cleaning. The bush and the birds and the endless beach are Sylvie's only salvation, apart from her teacher, Miss Taylor.In the tradition of the novels of Anne Tyler and Eudora Welty, The Lost Child is a beautifully written story about family and identity and growing up. Sylvie is a charming narrator with a big heart and a sharp eye for the comic moment. As the years go by she learns how tiny events can changes entire lives, and how leaving might be the only solution when the the world will never be the same again.Suzanne McCourt lives in Melbourne. The Lost Child is her first novel.'The Lost Child is an assured and bittersweet coming-of-age tale with a vivid sense of time and place...The novel is a strong addition to the shelves of Australian literary fiction.' Australian Bookseller and Publisher'An absorbing and often funny coming of age story...those who enjoy life's complexities and difficulties will find it a thoroughly engrossing read.' Bendigo Weekly'Suzanne McCourt has with great empathy and skill created the turmoil in the mind of a little girl...a haunting story, it also demonstrates the power of the human psyche to overcome past difficulties and find was to fully live.' Otago Daily Times'There are echoes of Tim Winton in McCourt's coastal small-town coming-of-age/breaking of spirit/triumphing over the odds under a wide sky-style writing...plainspoken but deftly crafted, laced with both humour and searing sadness. Highly recommended.' NZ Herald'Written in beautiful, slow prose...This is a promising debut...You can't help but be keen to see what she does next.' Adelaide Advertiser'McCourt's writing is assured and sinuous.' Belle Place, Readings'Sylvie endures trauma, bullying, rejection and self-blame yet she largely manages to channel her energy into positives like creative photography and excelling at school. She is a survivor.' ReadPlus'There's a watchful intensity to McCourt's writing, a remarkable ability to discover within the most concrete details a rich and raw emotion...a novel that is at once very familiar and entirely fresh.' Weekend Australian'The story tugs at the heartstrings...I look forward to seeing what this author writes next.' Waikato Times'[The Lost Child] reminds me of the quality of Ruth Park's writing in evoking the strengths and weaknesses of a small community...and the tragedies and humour amongst the everyday...A multi-layered novel with symbolism which stays with you after the last page. A significant writer with compassion. Highly recommended for adult and YA readers.' Hazel Edwards'The Lost Child is a haunting tale of family life, identity and coming-of-age from an author who writes with a vivid sense of time and place.' Launceston Examiner

"From the Man Booker Prize-winning author of The Sense of an Ending-a rich, witty, revelatory tour of Belle Époque Paris, via the remarkable life story of the pioneering surgeon, Samuel Pozzi. In the summer of 1885, three Frenchmen arrived in London for a few days' intellectual shopping: a prince, a count, and a commoner with an Italian name. In time, each of these men would achieve a certain level of renown, but who were they then and what was the significance of their sojourn to England? Answering these questions, Julian Barnes unfurls the stories of their lives which play out against the backdrop of the Belle Époque in Paris. Our guide through this world is Samuel Pozzi, the society doctor, free-thinker and man of science with a famously complicated private life who was the subject of one of John Singer Sargent's greatest portraits. In this vivid tapestry of people (Henry James, Sarah Bernhardt, Oscar Wilde, Proust, James Whistler, among many others), place, and time, we see not merely an epoch of glamour and pleasure, but, surprisingly, one of violence, prejudice, and nativism-with more parallels to our own age than we might imagine. The Man in the Red Coat is, at once, a fresh portrait of the Belle Époque; an illuminating look at the longstanding exchange of ideas between Britain and France; and a life of a man who lived passionately in the moment but whose ideas and achievements were far ahead of his time"--

"An electrifying and audacious novel about beauty, envy, and carelessness by Deborah Levy, two-time Man Booker Prize finalist. It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life--and this story of good intentions and reckless actions. The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries--feminine and masculine, East and West, past and present--to reveal the full spectrum of our world."--

I will tell you the story of how I knew myself to be plain and therefore devoid of the one virtue which it behooves every woman to have. What is to be done with Mary Bennet? She possesses neither the beauty of her eldest sister, Jane, nor the high-spirited wit of second-born Lizzy. Even compared to her frivolous younger siblings, Kitty and Lydia, Mary knows she is lacking in the ways that matter for single, not-so-well-to-do women in nineteenth-century England who must secure their futures through the finding of a husband. As her sisters wed, one by one, Mary pictures herself growing old, a spinster with no estate to run or children to mind, dependent on the charity of others. At least she has the silent rebellion and secret pleasures of reading and writing to keep her company. But even her fictional creations are no match for the scandal, tragedy, and romance that eventually visit Mary’s own life. In Mary B, readers are transported beyond the center of the ballroom to discover that wallflowers are sometimes the most intriguing guests at the party. Beneath Mary’s plain appearance and bookish demeanor simmers an inner life brimming with passion, humor, and imagination—and a voice that demands to be heard. Set before, during, and after the events of Pride and Prejudice, Katherine J. Chen’s vividly original debut novel pays homage to a beloved classic while envisioning a life that is difficult to achieve in any era: that of a truly independent woman.Advance praise for Mary B “The best part about Mary’s star turn is that it bears little relation to the fates of her sisters. She’s a simmering, churning, smart woman determined to concoct an independent life.”—The Washington Post“Perhaps not even a newly discovered Austen manuscript could exceed the delicious pleasure of Mary B. From an unswept corner of literature, Katherine J. Chen has conjured a heroine whose story is heartbreaking, hilarious, and, finally, thrilling.”—Susan Choi, Pulitzer Prize finalist and author of American Woman and My Education “In giving Mary Bennet a resonant voice of her own, Chen has fashioned a luminous and enlightening novel that will entrance even, or especially, those who have not read Jane Austen’s masterpiece.”—John Banville, Man Booker Prize–winning author of The Sea and Mrs. Osmond