Award Winners

When a young Vietnamese girl goes missing in Scotland, DI Birch knows there is more to the case than meets the eye. Her colleagues won't take it seriously - but Helen's instinct tells her that Linh is in mortal danger. .

The best lies are the ones closest to the truth. Simon and Vicky couldn't seem more normal: a wealthy Chicago couple with a stable, if unexciting, marriage. But with these two...absolutely nothing is what it seems. When a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky's complex web of secrets begins to unravel. A whirlwind affair. A twenty-million-dollar trust fund about to come due. A decades-long grudge and an obsession with revenge. These are just a few of their lies with devastating consequences. Both Vicky and Simon are liars - but just who exactly is conning who? Prepare to question everything you think you know in this wickedly clever novel of greed, revenge, obsession - and quite possible the perfect murder.

Long-listed, Miles Franklin Literary Award, 2015, Australia.Sylvie is five. It's the 1950s and she lives in Burley Point, a fishing village south of the Coorong on Australia's wild southern coast. She worships her older brother Dunc. She tries to make sense of her brooding mother, and her moody father who abandons the family to visit The Trollop, Layle Lewis, who lives across the lagoon.It's hard to keep secrets in a small town, but when Dunc goes missing, Sylvie is terrified that she is the cause. Now her father is angry all the time; her mother won't leave the house or stop cleaning. The bush and the birds and the endless beach are Sylvie's only salvation, apart from her teacher, Miss Taylor.In the tradition of the novels of Anne Tyler and Eudora Welty, The Lost Child is a beautifully written story about family and identity and growing up. Sylvie is a charming narrator with a big heart and a sharp eye for the comic moment. As the years go by she learns how tiny events can changes entire lives, and how leaving might be the only solution when the the world will never be the same again.Suzanne McCourt lives in Melbourne. The Lost Child is her first novel.'The Lost Child is an assured and bittersweet coming-of-age tale with a vivid sense of time and place...The novel is a strong addition to the shelves of Australian literary fiction.' Australian Bookseller and Publisher'An absorbing and often funny coming of age story...those who enjoy life's complexities and difficulties will find it a thoroughly engrossing read.' Bendigo Weekly'Suzanne McCourt has with great empathy and skill created the turmoil in the mind of a little girl...a haunting story, it also demonstrates the power of the human psyche to overcome past difficulties and find was to fully live.' Otago Daily Times'There are echoes of Tim Winton in McCourt's coastal small-town coming-of-age/breaking of spirit/triumphing over the odds under a wide sky-style writing...plainspoken but deftly crafted, laced with both humour and searing sadness. Highly recommended.' NZ Herald'Written in beautiful, slow prose...This is a promising debut...You can't help but be keen to see what she does next.' Adelaide Advertiser'McCourt's writing is assured and sinuous.' Belle Place, Readings'Sylvie endures trauma, bullying, rejection and self-blame yet she largely manages to channel her energy into positives like creative photography and excelling at school. She is a survivor.' ReadPlus'There's a watchful intensity to McCourt's writing, a remarkable ability to discover within the most concrete details a rich and raw emotion...a novel that is at once very familiar and entirely fresh.' Weekend Australian'The story tugs at the heartstrings...I look forward to seeing what this author writes next.' Waikato Times'[The Lost Child] reminds me of the quality of Ruth Park's writing in evoking the strengths and weaknesses of a small community...and the tragedies and humour amongst the everyday...A multi-layered novel with symbolism which stays with you after the last page. A significant writer with compassion. Highly recommended for adult and YA readers.' Hazel Edwards'The Lost Child is a haunting tale of family life, identity and coming-of-age from an author who writes with a vivid sense of time and place.' Launceston Examiner

"From the Man Booker Prize-winning author of The Sense of an Ending-a rich, witty, revelatory tour of Belle Époque Paris, via the remarkable life story of the pioneering surgeon, Samuel Pozzi. In the summer of 1885, three Frenchmen arrived in London for a few days' intellectual shopping: a prince, a count, and a commoner with an Italian name. In time, each of these men would achieve a certain level of renown, but who were they then and what was the significance of their sojourn to England? Answering these questions, Julian Barnes unfurls the stories of their lives which play out against the backdrop of the Belle Époque in Paris. Our guide through this world is Samuel Pozzi, the society doctor, free-thinker and man of science with a famously complicated private life who was the subject of one of John Singer Sargent's greatest portraits. In this vivid tapestry of people (Henry James, Sarah Bernhardt, Oscar Wilde, Proust, James Whistler, among many others), place, and time, we see not merely an epoch of glamour and pleasure, but, surprisingly, one of violence, prejudice, and nativism-with more parallels to our own age than we might imagine. The Man in the Red Coat is, at once, a fresh portrait of the Belle Époque; an illuminating look at the longstanding exchange of ideas between Britain and France; and a life of a man who lived passionately in the moment but whose ideas and achievements were far ahead of his time"--

"An electrifying and audacious novel about beauty, envy, and carelessness by Deborah Levy, two-time Man Booker Prize finalist. It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life--and this story of good intentions and reckless actions. The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries--feminine and masculine, East and West, past and present--to reveal the full spectrum of our world."--

I will tell you the story of how I knew myself to be plain and therefore devoid of the one virtue which it behooves every woman to have. What is to be done with Mary Bennet? She possesses neither the beauty of her eldest sister, Jane, nor the high-spirited wit of second-born Lizzy. Even compared to her frivolous younger siblings, Kitty and Lydia, Mary knows she is lacking in the ways that matter for single, not-so-well-to-do women in nineteenth-century England who must secure their futures through the finding of a husband. As her sisters wed, one by one, Mary pictures herself growing old, a spinster with no estate to run or children to mind, dependent on the charity of others. At least she has the silent rebellion and secret pleasures of reading and writing to keep her company. But even her fictional creations are no match for the scandal, tragedy, and romance that eventually visit Mary’s own life. In Mary B, readers are transported beyond the center of the ballroom to discover that wallflowers are sometimes the most intriguing guests at the party. Beneath Mary’s plain appearance and bookish demeanor simmers an inner life brimming with passion, humor, and imagination—and a voice that demands to be heard. Set before, during, and after the events of Pride and Prejudice, Katherine J. Chen’s vividly original debut novel pays homage to a beloved classic while envisioning a life that is difficult to achieve in any era: that of a truly independent woman.Advance praise for Mary B “The best part about Mary’s star turn is that it bears little relation to the fates of her sisters. She’s a simmering, churning, smart woman determined to concoct an independent life.”—The Washington Post“Perhaps not even a newly discovered Austen manuscript could exceed the delicious pleasure of Mary B. From an unswept corner of literature, Katherine J. Chen has conjured a heroine whose story is heartbreaking, hilarious, and, finally, thrilling.”—Susan Choi, Pulitzer Prize finalist and author of American Woman and My Education “In giving Mary Bennet a resonant voice of her own, Chen has fashioned a luminous and enlightening novel that will entrance even, or especially, those who have not read Jane Austen’s masterpiece.”—John Banville, Man Booker Prize–winning author of The Sea and Mrs. Osmond

A classic, accessible award-winning biography of Australia's most iconic author, leading feminist and humanitarian.

"In this unnamed city, to be interesting is dangerous. Middle sister is our protagonist. She is busy attempting to keep her mother from discovering her nearly-boyfriend and to keep everyone in the dark about her encounter with Milkman (which for the life of her, she cannot work out how it came about). But when first brother-in-law, who of course had sniffed it out, told his wife, her first sister, to tell her mother to come and have a talk with her, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a searingly honest novel told in prose that is as precise and unsentimental as it is devastating and brutal. A novel that is at once unlocated and profoundly tethered to place is surely a novel for our times." -- Provided by publisher.

This is a story about iconic Australian writer Stella Miles Franklin, namesake of two major literary prizes, during her brief but formative time as a governess in rural New South Wales. Teenager Stella Miles Franklin has to work to help support her family. Stella is unhappy in her job and longs for the freedom and excitement of city life. While working, she meets a young orphan girl, Imp, who is almost as feisty as Stella herself, and who spurs the older girl to follow her dreams. Inspired by events in Miles Franklin's life, Miss Franklin is told by multi-award-winning author Libby Hathorn and acclaimed illustrator Phil Lesnie, and includes a facts page about Stella Miles Franklin.

"From the Man Booker Prize-winning author of The Sea and The Blue Guitar--a dazzling new novel that extends the story of Isabel Archer, the heroine of Henry James's The Portrait of a Lady, into unexpected (and completely stand-alone) territory. Isabel Archer is a young American woman, swept off to Europe in the late nineteenth century by an aunt who hopes to round out the impetuous but naive girl's experience of the world. When Isabel comes into a large, unexpected inheritance, she is finagled into a marriage with the charming, penniless, and--as Isabel finds out too late--cruel and deceitful Gilbert Osmond, whose connection to a certain Madame Merle is suspiciously intimate. On a trip to England to visit her cousin Ralph Touchett on his deathbed, Isabel is offered a chance to free herself from the marriage, but nonetheless chooses to return to Italy. Banville follows James's story line to this point, but Mrs. Osmond is thoroughly Banville's own: the narrative inventiveness; the lyrical precision and surprise of his language; the layers of emotional and psychological intensity; the subtle, dark humor. And when Isabel arrives in Italy--along with someone else!--the novel takes off in directions that James himself would be thrilled to follow"--